Atacama’s dance gives rise to physical, pictorial and visionary poetry, with strong interactions of sound.
Variations of arms, evolutions of legs, palpitation of breaths, subtle research of images and physical poetry: this is the flow of I Float, I Drown, I Float … Visions beyond any narrative purpose, with the experimental electronic scores of Epsilon Indi.
Rodolfo Di Giammarco
La Repubblica Roma